Tate Modern: Tommorow Is Another Day (After the Economic Crisis)

What: Brookyln-based arts group Not An Alternative is one of 70 around the world featured at the Tate Modern’s 10th anniversary show “No Soul for Sale: A Festival of Independents”.
Where: Tate Modern in London
When: May 14-16, 2010

In 1996 artist/architect Rikrit Taravanija built a to-scale replica of his East Village, NY apartment and installed it in a gallery. Entitled “Tomorrow is Another Day” and made with 2×4’s, he invited visitors into his space to watch television, eat dinner, take naps. The lines between life and art were blurred, the walls porous, inside and outside collapsed.

This installation heralded a new era of participatory art, a practice widely celebrated in biennials, galleries and museums around the world. With participation now a dominant paradigm, structuring business models, creative and activist practice, the architecture of the city, the internet, and the economy, we have to ask: what are the limits of participation? Who gets to participate, and who is left out?

In an installation at Tate Modern’s 10th anniversary festival in London, NY-based arts organization Not An Alternative locates these themes within our contemporary historic moment. The piece, entitled “Tomorrow is Another Day (After the Economic Crisis)” shows the façade of a building constructed in 2×4’s, the windows shuttered with plywood, the door padlocked. With a foreclosure sign nailed to the entrance, your participation in the piece is effectively foreclosed.

A contradiction is teased out on an old television set, found amidst garbage bags outside the front door. Flickering news reports implicate Tate Modern corporate sponsors Morgan Stanley, Bank of America, and Merrill Lynch in the housing bubble and ensuing economic crisis. The banks accrue reputational currency from their cultural sponsorship of the museum. But with this gesture their façade of social responsibility is cracked.

The television footage also depicts homeless people and activists responding to the crisis with tent cities, foreclosure defense teams, building occupations, and other forms of collective action.

Accompanying the installation will be literature for distribution featuring an essay by writer and filmmaker Astra Taylor, best known for her films Zizek! and Examined Life.

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a house gets built

Day 2 building our installation for the Tate Modern’s 10th anniversary show No Soul for Sale. Almost there!

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Tate Modern: Day 1

It’s cold as a witch’s teet here in the UK and we’re wearing everything we packed all at once! Tate Modern’s Turbine Hall is massive and in just a couple of days it will be filled with “No Soul for Sale: A Festival of Independents” featuring nearly 70 of the most innovative art groups from around the world for the Tate’s 10th anniversary show.

Here are some pics from Not An Alternative’s installation building, day #1:

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Showdown in America: Foreclosure Installation

Not An Alternative teamed up with National People’s Action, AFL-CIO, and SEIU to build this installation, a truly mobile home, for a march on Wall Street on April 29th. The demonstration drew more than 10,000 people calling for banking reform.

Videos from the NY Post and Democracy Now! show demonstration participants sharing their foreclosure stories from the installation’s porch.

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Critical Strategies in Art and Media Book Launch

Thursday, April 15, 2010
6:30pm – 8:15pm
Wollman Hall, New School University
65 West 11th St, 5th fl
New York, NY

“For centuries, art has been put on pedestals and in pillories, literally and figuratively, over its supposed capacity to carry a critical, political charge. Yet the trends of the last few decades - the birth pangs of hypercapital and environmental catastrophe - have hardly brought about any form of art potent enough to meet challenges on that scale. In September 2009, the World-Information Institute convened a group of digital theorists and practitioners to debate whether art has a future beyond a “creative industry” bent on decorating disaster - or, if not, what new kinds of approaches might be called for. This book distills that debate. Contributions by: Konrad Becker (World-Information Institute), Ted Byfield (Nettime), Amanda McDonald Crowley (Eyebeam) Steve Kurtz (Critical Art Ensemble), Jim Fleming (Autonomedia), Claire Pentecost (Continental Drift), Peter Lamborn Wilson (Temporary Autonomous Zone). Interventions by Bifo, Marco Deseriis, Rene Gabri, Brian Holmes, McKenzie Wark, and Felix Stalder.

The launch will include brief remarks by Marco Deseriis (NYU), Steve Kurtz (Critical Art Ensemble), Andy Bichlbaum (The Yes Men), Ken Wark (NSU), and Trebor Scholz (NSU), Beka Economopoulos (Not An Alternative), and Gabriella Coleman (NYU).

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